Upcoming Events - Immerse Yourself in the Flamenco World

Flamenco

+Classical Piano

An unforgettable evening ahead… 

FLAMENCO, PIANO Y ALEGRÍA! 

Award winning Spanish pianist ANDREA BENABENT and Houston’s premier flamenco performing company SOLERO FLAMENCO in a not to miss evening of Piano, Song, Guitar, Dance & Castanets in the beautiful acoustics of Westbury Baptist Church, Houston, TX

Saturday, Oct. 19, 7:30pm


Tapas Meet & Greet following performance. 

Presented by Westbury Performing Arts Series and La Casa de España en Houston.


Andrea Benabent, Piano

Irma La Paloma, Cante

Jeremy García, Guitar

Solangel Lali Calix, Baile

Andreina Pereira Nuñez, Baile


#soleroflamenco #artenergypassion #flamenco #flamencoarts #classical #piano #houstonperformingarts #houstonartscommunity #themusicofSpain #flamencoandclassical 

La Casa de España en Houston  @Westbury Baptist Church Andrea Benabent Irma La Paloma Jeremy Garcia Solangel Lali Calix Andreina Pereira Núñez


Westbury Performing Arts Series 

La Casa de España en Houston


presents


PIANO, FLAMENCO y ALEGRÍA


Program


Andrea Benabent - Piano

Solero Flamenco

Irma La Paloma - Cante

Jeremías García - Guitarra

Solangel Lali Calix - Baile

Andreina Pereira Nuñez - Baile


Rincones de Andalucía

Andrea Benabent


Alegrías de Cádiz


Canción del Amor Dolido

Song of Suffering Love

Canción del Fuego Fatuo 

Song of Will-o’-the-Wisp

Manuel de Falla (1876-1946)

Composer/Arr. Jeremy García


Asturias

Isaac Albéniz (1860-1909)


Suite Andaluz

Sevillanas Siglo XVIII

Zorongo

Los Cuatro Muleros

Federico García Lorca (1898-1936)

Composer/Arr. Jeremy García


Garrotín


Salve Rociera

Manuel Pareja Obregón (1933-1995)


Tangos 



Program Notes

__________


 Rincones de Andalucía -

Andrea Benabent


"Rincones de Andalucía" is a vibrant composition that captures the diverse rhythms and rich imagery of southern Spain. Through a tapestry of musical ideas, it evokes the essence of Andalusian culture, blending traditional melodies with modern influences, showcasing the region's unique spirit and character.


__________


Alegrías de Cádiz

Letra Popular


Alegrías is a palo or style of flamenco consisting of a 12 beat compás or rhythm. The word is the plural of happiness, it is a vibrant and joyful style of expressive song, dynamic guitar, and upbeat rhythms and movement. Alegrías are popular in the coastal city of Cádiz as are other styles in the Cantiñas family of cante or flamenco song,


El del pelo anillao 

que a mi me mira 

un beso de su boca 

va y me lo tira...


__________


Canción del Amor Dolido, 

Song of Suffering Love

Manuel de Falla (1876-1946)

María de la O Lejárraga García, Lyrics Jeremy García, Composer/Arr.


Candela is in turmoil as she is haunted by her husband’s ghost. She has heard rumors of his infidelities. She feels loss, sadness, doubt, anger, betrayal.


"Cuando el fuego abrasa, 

Cuando el río suena,

Si el agua no mata el fuego, 

A mi el pesar me condena! 

A mi el querer me envenena! 

A mí me matan las penas.”


When the fire burns,

when the river roars,

if water does not kill the fire, Suffering condemns me! Love poisons me!

 Sorrow kills me.


__________


Canción del Fuego Fatuo, 

Song of the Will-o’-the-Wisp

Manuel de Falla (1876-1946)

María de la O Lejárraga García, Lyrics Jeremy García, Composer/Arr.


"In folklore, a will-o'-the-wisp, will-o'-wisp, or ignis fatuus (Latin for 'foolish flame'; (ignes fatui), is an atmospheric ghost light seen by travelers at night, especially over bogs, swamps or marshes."

Candela canta...


"Lo mismo quer fuego fatuo, 

lo mismito es er queré,

Le juyes y te persigue,

le yamas y echa a corré


Malhaya los ojos negros 

que le alcanzaron a ver! 

Malhaya er corazón triste 

que en su llama quizo arder! 

Lo mismo quer fuego fatuo 

se desvanece er queré."


Candela sings...

The same as the will-o’-the-wisp, 

such is love, 

You run from it, and it follows,

you summon it, and it runs.

Damned are the black eyes 

that managed to see it, 

damned is the sad heart 

that in its flame wished to burn, 

just as the will-o’-the-wisp, 

love vanishes.


__________


Asturias - Isaac Albéniz (1860-1909)


Originally titled “Leyenda" by Albéniz, the piece was named Asturias posthumously by Hofmeister, a German publisher who included it in "Suite Española” in 1911. In essence, although so named after Spain’s northern region of Asturias, Albéniz was inspired by the musical traditions of Andalucía in the south including granaínas, bulerías, and the dynamics and rhythmic intensity of flamenco.


__________


 Sevillanas del Siglo XVIII

Federico García Lorca (1898-1936) Jeremy García, Composer/Arr.


"!Viva Sevilla, viva Sevilla!" And ode to the capital of Andalucía, the lyrics speak of the beauty and spirit of Sevilla, her inhabitants, of the beautiful face of La Macarena, patron saint of the Romani, of the breathtaking sight of the el Río Guadalquivir filled with white sails.

Sevillanas are a folkloric dance derived from the Seguidilla Manchega which acquired flamenco traits and to date is performed with song, guitar, dance, and often castanets. It is the most popular dance in southern Spain’s festivals, romerías, and gatherings.

¡Viva Sevilla!

Llevan las sevillanas en la mantilla 

un letrero que dice: ¡Viva Sevilla!

¡Viva Triana! 

¡Vivan los trianeros, los de Triana! ¡Vivan los sevillanos y sevillanas!


Zorongo Gitano

Federico García Lorca (1898-1936) Jeremy García, Composer/Arr.


The Zorongo presents the contrast between the excitement of youth and the wisdom acquired with the passing of time. The result is the conviction that what is most important is to love and be loved.


"La luna es un pozo chico, 

las flores no valen nada,

lo que vale son tus brazos 

cuando de noche me abrazan.”


The moon is a shallow well, 

flowers have no worth,

that which is of worth are your arms that embrace me in the night.


Los Cuatro Muleros 

(The Four Muleteers)

Federico García Lorca (1898-1936) Jeremy García, Composer/Arr.


One of the most recognized antique popular songs of Andalucía, Los Cuatro Muleros (The Four Muleteers) enchants with its catchy melody, thus it has been used in military and political campaigns. The original version is in the voice of a young woman who points out to her dear mother that one of the four mules men is her betrothed. Satirical and whimsical, it can be interpreted as her fantasizing of a romance from afar or revealing a secret love.


 "De los cuatro muleros que van al río, el de la mula torda es mi marío."


Of the four mules men that go to the river,

the one with the spotted mule is my betrothed.


__________



Garrotín

Letra popular


This palo of the flamenco repertoire is whimsical with a catchy chorus.  Its lyrics perhaps originate in the Asturian Garrotiada, however, its rhythmic meter is that of flamenco tangos. Garrotín was quite popular until the 1930’s. The great bailaora Carmen Amaya kept this style alive in the 1970’s through her powerful song and dance.


Pregúntale a mi sombrero,

mi sombrero te dirá

las noches que he pasaito yo en vela y el relente que a mi me da

Al garrotín, al garrotán,

a la verita vera de San Juan


__________


Salve Rociera del Olé - 

Manuel Pareja Obregón (1933-1995)


This hymn is attributed to the great pianist and composer Manuel Pareja Obregón who in 1967-1968 composed it as part of a mass dedicated to La Virgen del Rocío or Madonna of El Rocío, patron saint of Almonte, a province of Huelva, Spain. The Salve Rociera del Olé’s exalting melody and lyrics have become a universal hymn when each year during spring over a million people join in pilgrimage to the Shrine of El Rocío.


Dios te salve María, 

del Rocío señora, 

luna, sol, norte y guía 

y pastora celestial

Olé, olé...


__________


 Tangos

Jeremy García, Composer/Arr. 

Letra popular

Tangos became part of the flamenco repertoire when the Cuban Habanera and Tango made their way to Cádiz. Influenced by contradanzas and Afro-Cuban rhythms, these songs gave way to the tango de Cádiz or tanguillos, tientos (first name for tangos), and eventually tangos and various derivatives. The many styles of tangos flamencos include Tangos de Cádiz, de la Carlotica, de Málaga, de Triana, de Extremadura, de Granada, and others.


A tos los ojitos negros 

los van a prender mañana 

tu que negros los tienes 

échate un velo a la cara


Program notes by Irma La Paloma


Meet the Artists

Click the Photo

Scroll down for Bio

Man and Woman Dancing Near Body of Water

Jeremy García

Guitar

Composer/Arranger

Irma La Paloma

Cante

Artistic Director

Andrea Benabent Piano

Solangel Lali Calix

Baile

Andreina Pereira Nuñez

Andrea Benabent, Piano


Dr. Andrea Benabent, a distinguished Spanish pianist, has earned recognition in numerous national and international competitions, including first prizes at the 8th Brilliant Talent Discovery Awards International Competition in Singapore (2024), the II Franz Liszt Center Piano Competition in Spain, and the “Mestre Serrano” Piano Competition in Valencia, Spain. 


She holds a Doctorate in Piano Performance from the University of Houston, where she studied under Dr. Andrew Staupe and Dr. Tali Morgulis. Andrea also graduated from the Royal Higher Conservatory of Madrid and Sam Houston State University, where she studied with Elena Orobio and Josu de Solaun, the first prize winner of the XIII George Enescu International Piano Competition in Bucharest.


During the 2015/2016 academic year, Andrea was a student of Professor Pascal Nemirovsky at the Royal Academy of Music in London and received a scholarship to attend the Alps Summer Music Festival in Tignes, France. In 2018, she was awarded a fellowship to participate in the Miami Piano Academy and Festival, where she studied with Giselle Brodsky and Jorge Luis Prats.


Since 2022, Andrea has been a member of the Young Artist Program at DACAMERA in Houston, actively promoting the musical heritage of Spain. She performed in the successful concert series Octubre Hispánico 2022 for the Consulate of Spain in Houston.


Andrea has graced prestigious venues, including Carnegie Hall in New York, Auditorio Nacional in Madrid, Wortham Theater Center and Miller Outdoor Theatre in Houston, Duke’s Hall in London, and Palau de la Música in Valencia, among others. Passionate about flamenco, she incorporates the genre into her compositions, drawing inspiration from artists such as Pablo Ruben Maldonado, David Peña Dorantes, Maria Toledo, and Lola Fernández.

Jeremy García, Guitar


Jeremy is an accomplished classical and flamenco guitarist, award-winning composer, arranger, recording artist and educator.  Currently serving as the Affiliate Artist of Guitar at the Moores School of Music, García’s philosophy of teaching centers on guided instruction - a true mentorship designed to unlock the student’s fullest potential in artistic, scholarly, and creative expression.  


He maintains an active career as a concert artist emphasizing classical and flamenco and in orchestral and chamber music collaborations.  Notable engagements include the Houston Grand Opera's "Suite Española" (2021), the Moores Opera Center's "Ainadamar" (2023), Fremont Symphony Orchestra, Lander, Wyoming, (2022) and the Helena Symphony in Montana (2017).  In Helena, García premiered an original work for flamenco ensemble and orchestra,  "Suite Andaluz."   This three movement work highlighted the antique popular songs recorded by Federico García Lorca in 1931.  On the same concert, García performed Joaquín Rodrigo's "El Concierto de Aranjuez."  More recently, he appeared as a featured artist with the Grammy Award-winning Apollo’s Fire - Baroque Orchestra (2024) on a 6 concert tour of Chicago and Cleveland.  


Continuing his desire to introduce new audiences to classical music influenced by flamenco, García was awarded a grant in 2024 by the Houston Arts Alliance to create new works based on the music of Federico García Lorca and Manuel de Falla.  This new vision features collaborations with fellow University of Houston - Katherine G. McGovern College of the Arts faculty, including Mann-Wen Lo, Professor of Practice - Violin, Eunghee Cho, Professor of Practice - Cello, and Dr. Gabriela Estrada, Assistant Professor of Dance.  


As a festival artist, Jeremy performs, gives master classes, lectures, and workshops in festivals such as the 2024 Texas Guitar Festival at the University of Texas in Dallas, the Brownsville Texas Flamenco Festival (2021), The Classical Minds Festival (England - Virtual Performance, Workshop and lessons - 2021) and the Hill Country Classical Guitar Ensemble Festival and Competition (2019).  

García's latest album, "Nuevo Día" (Frameworks Records, 2023), features original compositions and reimagined flamenco infused arrangements of classical Spanish Masters Tárrega and Albéniz. For his composition “Zalamera,” García won the top prize in the Séptimo Concurso de Composición para Guitarra Fidelio (2023) in Madrid, Spain.


He is the co-founder of Solero Flamenco, Houston's premier professional flamenco performing company. (2009).  Along with co-founder Irma La Paloma, Solero Flamenco was invited to perform for the Queen of Spain - La Reina Sofia (2023).  Solero Flamenco has also performed in six cities across the US between 2021 and 2023 in original productions hosted by Candlelight Concerts by Fever.  With a sincere desire to share the art of Flamenco, Jeremy and Irma directed the Houston Spanish and Flamenco Festival (2011-2016) and created a program of gratuitous interactive performance/demonstrations for Houston’s youth called, Flamenco for Kids and Teens.  The Houston Spanish and Flamenco Festival was supported by generous grants from the National Endowment for the Arts, Humanities Texas, San Jacinto College, and was endorsed by the Consul General of Spain in Houston.  

With education and engagement a top priority, García currently serves as the Associate Artistic Director of the Houston Classical Guitar Festival and Competition.  Furthermore, he is a frequent clinician and ensemble director for the Guitar Initiative’s Summer Guitar Conservatory, held annually for HISD students.     He holds a Bachelor of Music in Performance from Texas A&M Corpus Christi and a Master of Music in Performance from Southern Methodist University in Dallas.

Irma La Paloma, Cante


Irma is a flamenco artist, singer, poet and composer. She is Co-Founder/Artistic Director of Houston’s Premier Flamenco Performance Company, Solero Flamenco (2009).  Irma performs and collaborates with local and international artists delivering Cante (Flamenco song) with sincerity and passion.  She is a dedicated ambassador of flamenco arts and education. 


Borne of Spanish descent in Havana, Cuba, she began her flamenco training with Spain’s Olga Bustamante at Concepción Arenal and with María Asela Bermúdez at Escuela de Baile Monterroso y Antas de Ulla.  She performed Flamenco and Spanish Regional Dances in Havana’s Centro Gallego and Teatro García Lorca.  Her family later established residence in Madrid where she was further embraced by her heritage.  Her love of poetry and lyrics led her to concentrated study of cante and dance accompaniment.


Recognized for her artistry and work ethic, La Paloma is a sought after collaborator.  Irma served as Choreographer for Houston Grand Opera’s digital production, "Suite Española - Explorando Iberia” (2021).  She performed and recorded her original work, ”El Corazón Manda” in Kathak-Flamenco - A Celebration of Cultures (2019).  In 2017, she performed selections from Manuel de Falla’s “El Amor Brujo” with the Helena Symphony in Montana, Allan R. Scott, Conductor.  She also composed and recorded vocals in Jeremy García's Cafe Khytaro release, “Distancia" (2008).  


Irma currently tours nationally as featured vocalist in Solero Flamenco Candlelight Concerts presented by Fever Original Events.  She performs in Houston Airports’ Performing Arts Program, Harmony in the Air.  She keeps a busy performing schedule and enjoys composing and developing new works for performance and publication.  

Solangel Lali Calix, Baile


Lali is a flamenco and Spanish classical dancer with excellent castanet technique learned from Maria Magdalena, one of Spain’s prominent players. Her love of dance began in her native Honduras and culminated in extensive training in Spain where she studied Flamenco, Ballet Clásico and Español at Amor de Dios School, Madrid with Ciro, María Magdalena.  In Sevilla’s Escuela Flamenca, she studied with Juan Polvillo. 


She later established Alianza Flamenca New Orleans as Co-Director with guitarist John Lawrence. From 1994-2005 she was the flamenco instructor at the New Orleans School of Ballet. She performed at El Matador, in the New Orleans Jazz Festival, and made several guest appearances in the states. Lali has been a professional flamenco dancer for over 40 years.  Based in Houston, she enjoys teaching technique, choreography, and castanets.  She performs and tours with Solero Flamenco.

Andreina Pereira Nuñez


Andreina is a passionate flamenco dancer.  She began her dance studies in “Tatiana Reyna’s Escuela de Danza” in her native Caracas, Venezuela.  While her initial training was in the fundamentals of ballet and jazz, she excelled in flamenco dance and was selected as a member of the dance company representing Reyna's academy.  She participated in national competitions, cultural events and productions.  Andreina furthered her flamenco training in Master Classes and Workshops with renowned dancers Daniela Tugues, Chachy Peñalver, Ziudy Garrido and others.  Upon moving to Houston, she continues dancing professionally with Solero Flamenco.